An Iranian grandee once asked this reviewer if he had enjoyed a dish of braised sheep brains. I replied, quoting Sa’di, “a lenifying lie is better than an irksome truth.” Face saved on all sides. This incident illustrates an important aspect of Iranian and Persianate culture: the use of poetic language to shape and elevate reality. This use of poetry has existed in all cultures, from Shakespeare’s sonnets to Pushkin’s compositions for ladies’ album books. Oscar Aguirre-Mandujano argues, in Occasions for Poetry, that this art form is the most important cultural element by which the Ottomans expressed themselves, more important than architecture, or history writing. Mustering an immense corpus of poetry from the turn of the 16th century, Aguirre-Mandujano successfully makes his case, though sometimes with the mass of citations he loses the forest from the trees.
Fifteen years into his marriage, Noor Mohammad Ganju has never seen his wife naked. He lusts after her but sex, when she occasionally obliges him, is reduced by veils—literal and symbolic—to tedious and unimaginative coupling in the dark.
In a dystopia-lite future, singles in Korea opt for pseudo-marriages under the mysterious Wedding & Life (W&L for short), an exclusive and expensive matchmaking company that hosts the VIP branch of “New Marriages” (NM). In an NM, W&L clients could pay for a new spouse—either a field wife or field husband (FW or FH)—for a stipulated period. With an influx of abbreviations for each department and a list of company-exclusive terminology, the world of Kim Ryeo-ryeong’s novel The Trunk—recently released as a drama series on Netflix—is corporate and clinical, where emotion is pushed to the edges of the page.
Released in late 2024, 100 years after the most infamous mountaineering event in history, Other Everests: one mountain, many worlds is not a retelling of the Mallory expedition, but rather an attempt to widen the framing of Everest beyond western mountaineering exploits. Everest has often been seen through the eyes of western explorers and been limited to tales of heroic exploration. This book is a direct attempt to change that and bring “together new perspectives on the historical and cultural significance in the modern world.”
Several women walk children down a flagstone path to a hot spring in the cozy opening scene of Hiromi Kawakami’s Under the Eye of the Big Bird. The children play while the women enjoy the warm water. The narrator has been married for five years to a factory worker. He works while she takes care of the children.
After student protests toppled Bangladesh prime minister Sheikh Hasina last year, New Delhi and Dhaka have been at odds. Indian politicians complain about Hindus being mistreated in the Muslim-majority country; Bangladesh’s interim government fears that Hasina may launch a bid to return to power from India.
Beijing Bound captures a pivotal moment in China’s recent history through the lens of Glen Loveland, a young American who arrived in Beijing in 2007 with little more than ambition and a tourist visa. Once a congressional press secretary, Loveland chronicles his remarkable transformation from a bewildered expatriate to becoming the first foreign HR professional at China’s state broadcaster. His journey offers rare, firsthand insights into a China that was briefly—and tantalizingly—open to the world.
Chie Ikeya’s InterAsian intimacies across race, religion and colonialism focuses on inter-Asian marriage in colonial Burma. Ikeya argues that over time these marriages became “the subject of political agitation, legislative activism and collective violence”.
China has been one of the leading sources of overseas visitors to the Maldives in recent years. Bin Yang, a professor of history at City University of Hong Kong, makes the argument in Discovered but Forgotten that this is to some extent a rerun of the situation in the 14th and 15th centuries when the Maldives were firmly on Chinese maps of places to visit.
A picture, they say, is worth a thousand words. Gonçalo Lobo Pinheiro’s photographs of Macau are certainly worth that and more. This latest collection consists of 100 photos taken during the last five years, a period which included Covid-19. The photojournalist, who been resident in Macau for well over a decade manages both to capture something of the inexpressible essence of the city, as well to provide visuals that will intrigue and engage anyone interested in either cities and the people that live in them. The “poética” of the title is apt.